Monday, June 25, 2012
French departure
6h30 this morning near the dorms, waiting for the taxi to come.
I waved to them while they were in the cab on the way to the airport then went back to my duties : give the keys back, make sure that all the files are saved, nicely compress our film to put it online and update the blog.
There was some huge traffic-jam on the way to Birmnigham airport and I received a text message saying that they were about to miss their flight but fortunately didn't. All finally made it safe to Paris.
tomorrow that will be my turn to set a quite early alarm clock to catch the 5.29 am train to the airport.
Good bye Wrexham and its people, see you soon,
come and see us in Angoulême and let's have a workshop there next year !
Claire
Sunday, June 24, 2012
time to say goodbye
I and the students were up for a pic-nic that we finally had at the dorm's kitchen. It was a nice moment . We talked about the "after workshop", about internships and how it works in the US versus France.
We went to play pool and then the sun showed up later in the afternoon and we had pizzas on the grass.
Claire
Friday, June 22, 2012
Day 10: tidy up
A morning of tidying up loose ends (smoke animation, missing backgrounds, missing props, animation refinements), and a 6:30pm appointment for the screening.
What did we learn this time around? Three important concepts were reinforced here:
1) Start with a coherent, engaging script and a visually-appealing story.
2) The reason why professional studios use After Effects to hit their production deadlines: it's powerful and efficient.
3) A cleanly-recorded, well thought-out soundtrack makes a big difference in the final impression.
Thanks to Glyndwr University Comics instructor Dan Berry, Simon Berry, and Tim Barnes for their script, and to Dan for the concept!
Thanks to Claire Fouquet, animation instructor at EESI for persevering through this, our seventh co-production (and third with Glyndwr University) - this project would never have continued were it not for her energy, enthusiasm, and directorial skills.
Thanks to our talented, dedicated, and hard-working team of students:
l'École Européene Supérieure de l'Image d'Angoulême et de Poitiers (EESI):
Audrey Hess
Léa Donadille
Nicolas Savoye
Amaury Trouvé
Glyndwr University:
Chris Lacey
George Roberts
Edgar Snowball
Lyndon White
The University of the Arts (UArts):
Amanda Bautista
Shannon Connor
Aleson Ho
Giselle Rosser
You did excellent work under intense and time-sensitive conditions.
And finally what was the experience like for you? How was working with peers from different countries? Did you notice differences in work habits? approach to content? aesthetics? Add your comments and your voice to the mix...
We're all tired, and of course glad to have reached the finished line, but also aware of the end of an experience whose full significance may take time to rise to the surface - there was a lot to digest. Thanks to everyone for their energy, positive attitude, and creativity!
cheers! merci! aloha!
Christopher Magee
Animation Instructor, UArts
What did we learn this time around? Three important concepts were reinforced here:
1) Start with a coherent, engaging script and a visually-appealing story.
2) The reason why professional studios use After Effects to hit their production deadlines: it's powerful and efficient.
3) A cleanly-recorded, well thought-out soundtrack makes a big difference in the final impression.
Thanks to Glyndwr University Comics instructor Dan Berry, Simon Berry, and Tim Barnes for their script, and to Dan for the concept!
Thanks to Claire Fouquet, animation instructor at EESI for persevering through this, our seventh co-production (and third with Glyndwr University) - this project would never have continued were it not for her energy, enthusiasm, and directorial skills.
Thanks to our talented, dedicated, and hard-working team of students:
l'École Européene Supérieure de l'Image d'Angoulême et de Poitiers (EESI):
Audrey Hess
Léa Donadille
Nicolas Savoye
Amaury Trouvé
Glyndwr University:
Chris Lacey
George Roberts
Edgar Snowball
Lyndon White
The University of the Arts (UArts):
Amanda Bautista
Shannon Connor
Aleson Ho
Giselle Rosser
You did excellent work under intense and time-sensitive conditions.
And finally what was the experience like for you? How was working with peers from different countries? Did you notice differences in work habits? approach to content? aesthetics? Add your comments and your voice to the mix...
We're all tired, and of course glad to have reached the finished line, but also aware of the end of an experience whose full significance may take time to rise to the surface - there was a lot to digest. Thanks to everyone for their energy, positive attitude, and creativity!
cheers! merci! aloha!
Christopher Magee
Animation Instructor, UArts
Thursday, June 21, 2012
Day 9: finish animating
Wednesday, June 20, 2012
Day 8: animation & "croquis"
The end looms ever larger on the horizon. We are working on finishing all the animation, getting closer every hour. After that, it's compositing and editing...Claire's joy.
Day 8: in the lab
Tuesday, June 19, 2012
Day 7: workshop alum
Dan, Tom (2010), Ted (2010), & Claire |
A hard-working day, spent inside the spaceship lab. We got a lot of animation done, and there are miles to go before we sleep, but more tomorrow than tonight.
A visit from 2010 workshop alumni Ted Brandt and Tom Harley today cheered our afternoon. We discussed ancient vs. modern methods of puppet animation (After Effects vs. Paper cutout), and caught up with their recently post-school careers. Good to see you guys, and "hello!" to the rest of the old team: Julia, Christine, and Asel (note: find everyone)!
shot 28
That's what I did today. Plenty of excellent work from the whole team.
Sleep well, team, and see you tomorrow at the Art School Building.
22jun12
Claire, Esther, Chris in central Wrexham. |
Darren is now teaching part-time at Glyndwr.
We bumped into Esther Williams (2010) today while out for lunch. She's plotting world travels for next year. : )
- Chris
Darren & Chris in the Creative Industries Centre. |
Monday, June 18, 2012
Day 6: back to work
the Creative Industries Centre's Media Training Lab |
Amaury, After Effects baptism by fire |
Chris and his personal trainer puppet |
Today we returned to face technology head-on, hitting the mouses and big iMac screens again for a concerted day of After Effects puppeting, moving pixels around, bit by bit, on big, luminous screens no one ever used to watch tv so closely on. The students are working very effectively, energetically, and with impressive alacrity, and we are seeing some personable acting and a harmonious mix between the audio and visual aspects of "Cook with Dan".
Differences between the way the school groups approach things? Well, while everyone comes through at the end of the day, it would be hard to ignore an apparently "inepuisable" verbosity on the part of the younger americans. Their optimism, hard work, and positive energy go some distance to mitigate their volume.
The French students, a linguistic minority in this setting, cope admirably with this apparent disadvantage, turning it into an advantage in terms of focus and concentration. And their English is much better than anyone's French!
The Welsh/British students also show a good dose of stoicism, in spite of being subject to the usual constraints of the home team: day job and home responsibilities, as well as travel speed bumps, getting to and from the lab from their homes.
Shannon's chicken, animated in Flash |
Sunday, June 17, 2012
Day 5.5: out of the lab!
Yes, we hanged out a lot. Thanks to David Jones, who showed us around North Wales, where we walked across an Aqueduct the Romans would've have been impressed by, saw a music festival town preparing for a July onslaught, ate at the Bison Burger farm, crawled around Conwy Castle and its town-surrounding wall, which defended the British from the Welsh, tiptoed on Llandudno beach around the jellyfish, the wind, and the beach stones, and had something warm to drink in town. This was all topped off by a visit to American nostalgia at Frankie and Benny's diner once we rolled back into Wrexham.
Yesterday, while Claire and Dan attended an exposition of Rising Dan's work in London, the students and I went to Liverpool, me to see Beatle Beginnings, and the students on an equally spiritual journey to three of Liverpool's principal church edifices. Not the grimy industrial city of late '50's/early '60's lore anymore (or at least not the parts we saw), contemporary Liddypool is a mix of old and new, with its foot firmly planted in consumer havenism and the optimism of a future. A pleasant surprise and a worthwhile Magical Mystery Tour, I trod in cuban-heeled bootsteps in my jogging shoes.
Yesterday, while Claire and Dan attended an exposition of Rising Dan's work in London, the students and I went to Liverpool, me to see Beatle Beginnings, and the students on an equally spiritual journey to three of Liverpool's principal church edifices. Not the grimy industrial city of late '50's/early '60's lore anymore (or at least not the parts we saw), contemporary Liddypool is a mix of old and new, with its foot firmly planted in consumer havenism and the optimism of a future. A pleasant surprise and a worthwhile Magical Mystery Tour, I trod in cuban-heeled bootsteps in my jogging shoes.
Here at the onset of week two, it's only a
matter of extended moments before Friday arrives and time has slipped by
once again...nothing but the present lasts forever, and that for only a
moment at a time.
Great lab, great collaborators, and, shock of shocks, it was sunny all day today. : o
signing off from the nearly Apple-approved iMac paradise, looking forward to dinner and a good laundry session (happiness is warm clothes from the dryer),
Subscribe to:
Posts (Atom)